Friday 23 April 2010
Research and Planning - Characters
Characters
The main character is a mature woman, in her very early forties. She will have brown/mousy blonde hair and big brown eyes. She should be quite independent looking to begin with, and like a stylish businesswoman but also having aspects of a mother of two. She should look like she has had a hard days work but content to be at home. She should also be angry about her divorce but not letting it upset her.
Actors who inspired this role include:
Sandra Bullock
- Her mature and independent look is very good for this character.
Julia Roberts
- Her appealing look is good to make audience easily engage with her.
Jodie Foster
- Her slightly troubled but happy and confident look is a good representation of our character. She appeared in a film called Flight Plan, which is similar to our film in that her character gets framed and only she knows and tries to reveal the truth, but no one will believe her.
Research and Planning - Possible Film Producers
Possible Film Producers
Working Title - Working Title is a possibility because they are a British Company that is very involved in the production of international, particularly British-American movies (which is good because we are using an American actress in our starring role), though many of their British movies are comedies, they also have produced several American thrillers, such as State of Play, United 93 and the upcoming Green Zone. They are one of the best producers of internationally popular British films.
Pathé - Pathé is a large producer of films, based in France it produces lots of British films, particularly of young and alternative directors, with the American Blair Witch Project, the British, Adulthood and Slumdog Millionaire. As well as this, they produce really successful mainstream thrillers, like Memento, Apocalypse Now. They are also currently producing a British film called Centurion, with a nearly entirely British cast Dominic West, Noel Clarke and Riz Ahmed. They are quite a major producer of British films.
Research and Planning - Target Audience
The main audience is roughly between 15 and 35. The niche audience will be people older than those ages who are interested in horror. The certificate for the film will be ‘15’ because of the violent content and fear, but younger audiences will also be interested to watch the film when it comes out on DVD, with parental consent.
I believe that this is aimed at a conventional thriller or horror audience, so the main audience will consist of young people going to the cinema/DVD shop to watch a film that will provide them with thrilling plot and scary scenes, thus we need to provide them these thrills. On the other hand, there is a niche audience of perhaps more ‘middle-aged’ people, as a whole there are a wide variation of people who go to watch a thriller, we intend to attract a larger audience by providing an intelligent, deep plot. This will appeal to a widest range of audience.
Research and Planning - Style and Tone
The opening scene should start very unsuspecting; the mood should be very normal. This is to make the climax more surprising. To achieve this we will make the colours quite warm, make the scene homely, and wont add any scary music at the beginning. For the first shot, we want to zoom in on the woman while she is having the phone conversation, this will create tension. Camera shots will remain static or just a slow zoom to intensify the verisimilitude of the scene. When the lights come on in the bedroom, it might be effective to have the shadow of the body cast on to the wall behind the woman, and on her. This would emphasize a sense of mystery and want you to know what she is looking at. To achieve this without making it seem unrealistic the light behind the body would be a bedside lamp. The light in this room will also be quite blue/green to emphasize the change in mood.
The genre of our film is thriller/horror. There are quite graphic images and unexpected and perhaps shocking moments. No guns, or drugs like most thrillers entail. Perhaps the genre is slightly leaning to a psychological thriller also, for example, you do not know what is going on at times, and don’t know who is guilty or innocent.
The titles will be very simple, white on black. As a door opens, and the light enters the room, you realize that the black background was in fact the darkness of the room. The first shot will be a long one; it will start as a long-shot and pan round as the woman walks past. (The titles will continue to show at the bottom-right of the screen.) Then slowly ease in toward a mid-shot during the phone conversation. The easing in will also add a little tension to the scene. The very beginning will start in a quite regular way, it is meant to be like any other day, so no scary sound effects as of yet. As the opening progresses however, small incidents that aren’t every day, instead perhaps once in a while, start to happen to the protagonist, for example the phone cutting out. Very subtle eerie sound effects and also the increasing kettle can accompany these. The shots will also become more unconventional, close-ups on her lips, the clock, etc. The next shot will be in a dark room with a door open, showing the woman at her desk. Perhaps here to create suspense, the accompany of some ghostly droning music will be good, it should be very quiet though, almost subliminal. When the woman turns the light on and sees a dead body the music should have a great impact here and be frightening, showing her fear.
Research and Planning - Influences
The Shining – We want to achieve a similar style for the camera shots, for example long panning and tracking camera shots. We would like our actress to react in a similar way to the character ‘Wendy’ in the bathroom scene of this film. We think her fear and distress is very powerful. Kubrick plays with sound creatively and we want to try and adopting this technique for our opening, for example the sound of the clock ticking, and kettle. Kubrick gradually builds up tension very effectively in his films, and although he does it very slowly and over the course of the whole film, we will try and do the same in the two minutes.
Psycho – We were inspired by Hitchcock’s camera shots. His close-ups, and long shots, and his build up of cuts to develop tension. In Psycho, we like the thrilling quality of someone else being in the house/room. This film appeals to a mainstream audience, which is what we are also trying to achieve. The woman in our film is a similar age to the character in psycho who is murdered. She looks young, yet is a mother of two and is just reaching her 40’s. With this choice of age we are trying to appeal to young and older audience members.
Panic room – The idea of having a woman on her own with the responsibility of her child. The sense of paranoia is very effective in this film. We watched the film trailer to get ideas for building tension and for the story.
Flight Plan – The story is similar to that of ‘Flight Plan’ – a single mother whose child is kidnapped. This relates to part of our theme, ‘destruction of the family’ and to the woman being alone and vulnerable.
News – The case involving Tony Martin partly inspired the story. We were interested in the idea of how far one might go to protect their property and family in a burglary situation. Tony Martain was prosecuted for manslaughter after killing a sixteen-year-old boy because his home was being violently robbed. Our character wont reveal a gun, but we were interested in the frightening aspect that if someone is criminally trespassing in your home, you might not be able to defend yourself properly.
We were also inspired by North by Northwest, the way it didn’t seem like a thriller at first, until a sudden surprise. It showed the character’s normal life and displayed it naturalistically, this emphasized on the idea that it could happen to anyone.
Research and Planning - Script
[FADE FROM BLACK OR CAMERA IN DARKNESS AND DOOR OPENS]
[CATHERINE ENTERS, SLAMMING DOOR BEHIND HER, CONTINUES TO TURN ON LIGHTS AND SHE GOES OVER TO THE KITCHEN TO TURN ON THE KETTLE AND WALKS OVER TO THE ANSWER MACHINE TO LISTEN TO HER MESSAGES]
ELECTRONIC VOICE: (SOMETHING ALONG THE LINES OF) YOU HAVE ONE NEW MESSAGE...
[SHE PRESSES THE BUTTON FOR THE FIRST MESSAGE]
BENJAMIN: Hi, Cath, um, it’s me, err well I’m coming over to discuss, well, t-that problem, I’ll be over in an hour... [ANSWER PHONE SAYS ‘MESSAGE LEFT AT 4:54 PM’]
[SURPRISED, CATHERINE LOOKS AT THE CLOCK, IT IS 7:54, SUSPICIOUS AT FIRST BUT THEN ROLLING HER EYES AT HIS LACK OF PUNCTUALITY, SHE IS DRAWN BACK TO THE NEXT PRIORITY ON HER LIST, RINGING HER MOTHER]
MOTHER: Hello? Hello?
CATHERINE: Hello
MOTHER: Oh [AS IF RELIEVED], hello darling
CATHERINE: How are they? Are they OK?
MOTHER: The kids are fine, they’re just getting ready for bed now
[CATHERINE SIGHS, RELIEVED, IT IS EVIDENT THAT SHE IS A PROTECTIVE MOTHER]
MOTHER: Why are you ringing on the house phone, you never---
CATHERINE: I lost my mobile, probably been stolen, I just left it on my desk and it was gone, I can’t think of anyone at work who would do that
MOTHER: [PATRONIZING] I always said that you needed to take better care of...
[THE PHONE APPEARS TO FLICKER OUT]
CATHERINE: [RATHER SCARED, THE PHONE RARELY JUST STOPS] Hello? HELLO?
[SHE FOLLOWS THE MODEM CORD, TO THE MODEM ITSELF. NOTHING SEEMS TO BE AMISS WITH THE MODEM, HOWEVER SHE PEERS IN TO THE FLOOR MIRROR, CONFUSED BY SOMETHING THAT THE AUDIENCE CANNOT YET SEE]
[AS THE CAMERA CUTS TO A SHOT OF HER, IN THE DARKNESS OF THE ROOM THAT SHE IS STARING AT, WE NOTICE THAT SHE SEES SOMETHING IS DEFINITELY WRONG, THE CAMERA FOLLOWS HER IN THE ROOM, SHE TURNS THE LIGHT ON AND SCREAMS AT WHATEVER IS ON THE BED, THE CAMERA ZOOMS IN UNTILL JUST ON HER EYES, SHE LOOKS TO HER RIGHT SLOWLY AND THE BEDROOM DOOR SLOWLY CLOSES]
Research and Planning - Plot Sequence
Camera is in darkness, you hear a key in the door and a woman walks in her home. The light from the hall outside spills into the darkness. She turns the lights on and puts her keys on top of some divorce papers lying on a table next to a picture of her and her children. She runs to the kitchen and puts the kettle on, the noise of the kettle is an increasing and foreboding noise, for example the squealing, and this increases tension. She goes over to the telephone that is on a desk, sits down and realizes that there is a message on the answering machine, she presses play and a male voice says, ‘Hi Anna, um, its me, err, I’m coming over to discuss the, um… problem. I’ll be over in about an hour.’ Then the answer machine recalls, ‘message left at 4:54 pm.’ At this point the kettle stops to mark the suspiciousness. A close-up shot of the clock shows 7:14 and you can hear the ticking above the ambient noise. The woman is slightly skeptical but then rolls her eyes, remembering his terrible punctuality. She then rings her mother.
Mother; ‘hello’
‘Hello’
‘Oh hello darling’
‘How are they?’
‘Oh the kids are fine, they’re just getting ready for bed.’
The woman sighs with a smile.
‘Why are you ringing on the house phone you never—‘
‘I know, I lost my mobile, well, it could have been stolen but I can’t think who at work would do such a thing.’
‘I always say you need to look after your—‘
The phone cuts out, the woman is confused and says ‘hello?’ She follows the cord and looks at the modem. It seems fine. There is a floor mirror, next to the modem, she looks at it and suddenly turns around. The audience, at this point, doesn’t know what provoked her to react in this way, but they also don’t need to. Perhaps she did not leave the house in the way it is now. The shot that the camera cuts to as she whips her head around, is in a dark room with the door open; you can see the woman at her desk through the doorframe. She looks over and squints to see what is lurking in the darkness. She walks over skeptically, and slowly. She turns the light on, (with the switch inside the room.) Suddenly she screams so terrified and covers her mouth with her hand. She presses her back against the wall and stares with big eyes, while almost hyperventilating. The shadow of a lumpy and distorted shape is cast onto the wall and consequently her. The camera tracks towards her as she screams, getting closer and closer to a close-up, she doesn’t look away from the body. When her face takes up the whole screen and the camera stops she has a slight inkling and slowly looks in fear to her left. Blackout. Main tile.
Alternate ending: Perhaps she looks slowly to her right and then a shot from outside of the room shows the door slowly closing, with the camera tracking backwards at a similar rate to the door.
Across the rest of the film, our heroine escapes from her home. She then makes any effort to protect her kids from the murderer. She is also wrongly being trialed for the suspected murder of her husband and despite the fact that she has no experience, is going to have to take the law into her own hands to catch the murderer and reveal him as evidence to the police.
Research and Planning - General Outline
The genre is ‘thriller’ - an exciting plot, typically involving crime or espionage. Thrillers usually have sub-plots and a complex story line. Our thriller is partially about mixing the aspects of the genre of horror and film noir/neo-noir with the ideas of a mystery and psychological thriller, we intend to put a lot of emphasis on the fear/emotion of the main character through using visual style and a rather intriguing plot, we intend to make the film curve away from ‘gung-ho’ violent thrillers and make it more about entrapment and the feeling of being truly scared.
Wednesday 7 April 2010
Tuesday 6 April 2010
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