Friday 25 February 2011

Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products : trailer pt. 2

The next convention in a trailer is to establish a leading character/s. I believe that I did this well. Whilst my trailer is meant to be short, we are meant to get the impression that the Father is a ‘no-nonsense’ character, he is out to protect his daughter from those who have kidnapped her. This character is reminiscent of Liam Neeson’s character in ‘Taken’, however unlike Neeson’s character, he, from the trailer, appears to call assistance which would suggest he may be taking the law into his own hands similar to Michael Caine’s character in ‘Harry Brown’. The character archetype is deeply rooted in many 70s Vigilante/Crime movies such as Charles Bronson in ‘Death Wishand Clint Eastwood in Dirty Harry’, hopefully an audience will recognise an attempt to hark back to this rapidly disappearing genre of movie (However, the various resurgences of this genre e.g. ‘Taken’ and ‘Old Boy’ have been wildly successful). The other aspect that he fits in with characters of this type is in his age, the character is meant to be around 40 - 55.The daughter, on the other hand, is tightly in-line with kidnapping victims in movies, she is blonde and wears clothes that denote that she is probably wealthy, films with characters similar to this are ‘Man on Fireand ‘Ransom’. However, my character is older than the usual character in a kidnap movie, usually the daughter is around 5-9 years old, whilst the daughter in my film is 15.

Once again, the links to all the film trailers mentioned above are below...

Taken: http://www.youtube.com/watch?v=CvUxdQ4q-Lg

Harry Brown: http://www.youtube.com/watch?v=I2S3SraFmI0

Death Wish: http://www.youtube.com/watch?v=_GieK_55uyY

Dirty Harry: http://www.youtube.com/watch?v=b6Ro0Wiq6v0

Old Boy: http://www.youtube.com/watch?v=YLn1y9v6yno

Man on Fire: http://www.youtube.com/watch?v=g4kLizDXLY0

Ransom: http://www.youtube.com/watch?v=BL4fNkypfdU

Tuesday 22 February 2011

Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products : trailer pt. 1

Certain conventions and clichés embed themselves in the collective mind of the audience, and in the following piece of writing, I will explain how my trailer strives to become reminiscent of, whilst not mimicking, trailers of the same genre.

Beyond the mere genre of the trailer, my trailer keeps to many of the key structural points of a trailer. Throughout the trailer, certain important aspects are established. In general, a trailer must simply outline the location, in my trailer, the location is established through the clearly British accents and the recognisable London suburbs. I chose not to really turn the fact that it is based in London, due to the fact that the plot is not really affected by the fact that it is set in London, in my trailer the location is apparent and not actively demonstrated. To be honest, whilst it is Film Convention to establish setting, in Thrillers, the concept behind them often needs to be strong enough that you could set the film anywhere. Due to the fact that Thrillers, Horrors and Action Movies are in their nature, High Concept e.g. The U.S. Remake of British TV Show, ‘State of Play’ as a Political Thriller movie and the (often line-for-line) remaking of Asian thrillers such as Korean romantic ThrillerSiworae as ‘the Lakehouse’ and Chinese Crime Thriller ‘Infernal Affairs’ as the ‘the Departed’. These are all examples of a plot transcending cultural barriers, and proof that the plot of a thriller far exceeds the necessity to associate a particular culture to it. Very often in thrillers, there is some form of criticism of certain social status, for example there is often criticism of Bourgeois culture which is an area of society that appears internationally and thus the criticism retains its strength worldwide. However in certain films, such as ‘127 Hours’, the setting does essentially define the film, it provides the real centre-point of the plot. There are also films that are specifically made to portray or critique a particular culture e.g. ‘City of God’, ‘Kidulthood’ and so-called American ‘Hood Films’. My product is aimed not to be specific to British culture, it is meant to create a plot that is recognisable to a multi-national audience.

This will be continued in another blog post. Links to all forementioned trailers are below.

Thursday 10 February 2011

Changes to the Plan

Due to the fact that my original plan was somewhat dull and unambitious, I have felt the need, rather late on, to revamp this project. Various changes have been made to the narrative, actors, general concept and length of trailer.

First, the narrative seemed boring, yet unachievable. The amount of actors needed and the nature of the action scene, meant that most of the shots would have ended up as an incomprehensible mess. What was originally a regular married couple with a daughter, seemed a poor idea, because they are not the sort of people who would be attacked. The idea of a random attack limited the plot and drove the narrative nowhere, it made the villains faceless and unremarkable. The general plot was blunt and predictable, the trailer appeared to lead nowhere, outlining little of the plot, without creating the required mystery, there was no Unique Selling Point. Nothing made this story watchable. I have now improved aspects of this trailer, to encompass the single father and his daughter, the attack is not planned and is even forewarned with the case sent to the house. There is now a mystery in the plot, about the father and his connections, the item in the briefcase and why they have kidnapped his daughter. Also the kidnap of the daughter as opposed to the murder, means that I have more motive to go after the villains and it spares me having to make what would be undoubtedly a poor death scene, something that is frankly impossible for a student to produce. The briefcase also adds a face to the villain/s.

In terms of actors, the characters that I had, external to the main three, whom I have kept, would honestly have distracted us from the main plot of the film. The role of the mum and Dad's friend were actually just a waste of time, and due to the fact that I am incurably awful at finding actors, I set myself the job of finding these actors, when I could have just got on with filming. I changed the father from being some awful Dulwich dad into being a character who potentially had connections to criminals, because it was implausible that he would be able to take revenge otherwise. Also the daughter has changed from an aggressive character, to a more regular character, the reason for this change is that it was a needless subplot, and subplot has no place in a thriller trailer. The dad's friend, again was a character who I had no actors for, I don't know anyone who lives in this country who could play this part.

The General concept of the trailer has changed, it is no longer quite the revenge trailer it was, because I realised that movies of this sort aren't made on the budget that I have, and also they are a genre generally more associated with huge actors e.g. Michael Caine, Liam Neeson or even action movie guys, whom I don't know, thus basing it on a formula that it is not associated with amateur/newcomer British cinematography. I have decided to make it more of a plain thriller, with aspects of mystery. The idea of action movie aspects, when I don't have the use of after effects, basically means what I film will look awful. I need to make it a bit more low-key and a bit more subtle and symbolic, less physical and blatant.

As well as this, the final aspect that needed a review is the timing of the trailer, the montage idea did not suit the pace of the trailer that I have decided on. The timing of the first scene was really slow and seemed to hark back to last year's opening scene task, and thus I needed more pace and at the same time far less. So I decided to create a mysterious trailer by intercutting multiple scenes at the same time as opposed to playing a straight scene which will bore the audiences senseless. As well as this, it will allow me to cover up the limitations that I have as a student, without intercutting, a kidnap scene would look poor, but flashing action at an audience will really pump them up as opposed to showing them the action, thus removing the element of surprise that audiences really want when they go to the cinema.

As you can see, I was incredibly critical of my original trailer-concept and thought I would somewhat obliterate it, to show my thought process, one of the reasons I wasted so much time is that I passionately wanted to make an original trailer, and I did not want to make the one that I had first thougt up, because it was bad.

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